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Maison Errance

Errance is the French word for wandering: moving slowly, led by curiosity rather than a fixed destination. Founded in Lille by designer Sarah Iannarella, the studio makes functional sculptures, lamps, vases and objects designed to live with people rather than decorate around them. Hand-drawn lines become volumes through 3D printing and casting in bio-based plastic, recycled PETG and Jesmonite, finished with plant-based dyes drawn from fern and logwood. Every piece is made to order in France.

Errance is the French word for wandering: moving slowly, led by curiosity rather than a fixed destination. Founded in Lille by designer Sarah Iannarella, the studio makes functional sculptures, lamps, vases and objects designed to live with people rather than decorate around them. Hand-drawn lines become volumes through 3D printing and casting in bio-based plastic, recycled PETG and Jesmonite, finished with plant-based dyes drawn from fern and logwood. Every piece is made to order in France.

Sarah Iannarella trained as a graphic designer before a Master of Arts at the University of the Arts London, where her research looked at where emerging technology meets traditional craft. Lines became structures, and Errance followed. Her language moves between nature, science fiction, Mediterranean culture, Art Nouveau and Brutalism. Every object starts as a hand drawing, and no two dyed pieces come out the same, on purpose.

Sarah Iannarella trained as a graphic designer before a Master of Arts at the University of the Arts London, where her research looked at where emerging technology meets traditional craft. Lines became structures, and Errance followed. Her language moves between nature, science fiction, Mediterranean culture, Art Nouveau and Brutalism. Every object starts as a hand drawing, and no two dyed pieces come out the same, on purpose.

Sarah Iannarella trained as a graphic designer before a Master of Arts at the University of the Arts London, where her research looked at where emerging technology meets traditional craft. Lines became structures, and Errance followed. Her language moves between nature, science fiction, Mediterranean culture, Art Nouveau and Brutalism. Every object starts as a hand drawing, and no two dyed pieces come out the same, on purpose.